Book Review – Y is for Yesterday

Note:  I was very saddened just after Christmas to find out that Sue Grafton had passed on.  (Eff Cancer).  I, along with a lot of readers, learned my alphabet on her covers.  I think I’m more upset with the world that there was just one book left than I would have been had it ended part way through.  I had finished this just before the news was released.  At the publishing of this post, it will have been about a month.  I’m still shocked and saddened by the loss of Sue. 

 

TITLE: Y is for Yesterday
AUTHOR: Sue Grafton
FORMAT: Hardback and EBook (I had both)
PUBLISHED: 2017

Y is for Yesterday is the 25th installment in the alphabet series of cozy-ish mysteries starring Kinsey Millhone (rhymes with Bone) and her cast of characters (ie her friends).

In this book, we flip between two story lines.  Several years in the past, there’s some extraordinary teenage angst happening at the school, somebody steals a test and then somebody else dies.  Oh, and somebody makes a sex tape.  In the current time line, there are two story lines – the same cast of characters as the past, and Kinsey’s.  Because the guy who went to jail for Sloan’s murder has just been released from juvie, and, well, he’s being blackmailed.  They have the tape, he has the money, and maybe just maybe they could swap.

Oh, and while all this is going on, a jackass from *kinsey’s* past is around.  And he’s trying to kill her.  Ned is a total piece of crap, and nobody’s safe while he’s on the lam.

 

So, as soon as I got the book, I immediately texted my mother to tell her I had it already and did she.  Then several updates as I read the book.  We’ve both read the series together for years.  It’s one of the things I liked so much about the series – it’s not one demographic.  It appeals to so many.   At Christmas, I stopped in to visit my Mom’s aunt, and she had it sitting in her coffee table.

Which is why what I’m about to say pissed me off so much.  When you read a series like this, you expect something.  I mean, we’ve done TWENTY FOUR other books with Sue, and when you do that, your readers gravitate towards your books because you expect them to work a certain way.  Longtime readers to the blog will remember that I’m the one that did the review of 50 Shades of Grey.  I say that because I want you to really appreciate me saying this:  *I AM SO FRIGGIN PISSED* that in the first third of the book she *graphically described the sex tape*.  I mean we know what got stuck where and I don’t always mean body parts.    It probably wouldn’t have upset me to find that in another book by somebody else.  But again, Sue’s been writing a certain way most of my life, and I’ve been reading her for over 20 years.  I expect a certain something and that isn’t it.

And for Sue’s *readers* that isn’t it.  I remember way back when her message board was a thing somebody complaining because Kinsey said bad words.  Now you’re going to tell us where to stick something?

In Kinsey’s normal cast of characters, we of course have Henry, her wonderful elderly landlord (I always thought the series would end with his death, not Sue’s…), and a couple transients that he’s picked up.  Homeless people who pitched a tent in the dirt patch that was his back yard.  One of them is fat.  Really fat.  Apparently so fat that I have forgotten her name but remember her plumptness because she was friggin’ fat shamed for most of the begining of the book.  I can’t tell you anything else whatsoever about her.  Not her eye color or hair color or anything.  Just her fatness.  Because Sue talked about how we had to shoehorn her into her clothes, etc.  She hardly talks about any other character’s body type, so this was a bit over-the-top ridiculous, too.

With that said, once you get through about a third of the book, it’s a huge sudden shift.  I know that the family has said that Sue was adamant that she wouldn’t have co-writers or ghost writers or anything else, but I’m serious when I say that the first third of the book sounds and feels like a totally different person wrote it.  I don’t know if there was a different editor or she set it down and came back to it months later or what happened, but it was definitely a very different book from that point on.

Oh, and at some point (I don’t remember where) there’s some unfortunateness involving Ned and Henry’s cat.  That I legitimately wanted to punch Sue for.  The cat comes through okay, but there’s not a lot I don’t ever want to read in a book, and animal abuse – even potential animal abuse – is way high on the list of shit you just don’t.

The last two-thirds of the book are something that I would expect from picking up a Sue Grafton book.  There’s a fantastic scene with Pearl and Ned, some really classically Sue stuff happens involving Fitz (the one getting blackmailed), and it was balanced nicely with Kinsey’s family stuff.

 

So rating this book is hard.  The first third as a Sue book gets about a 1/5, but a much higher rating if I had just stumbled upon it elsewhere.  The second and third third (that sounds funny, lol!) get at least a 4/5.  But combining them together…?  I’ll give the book a solid 3/5 overall.  If you can overlook the first third of the book, you can bump it up to a 4/5, but if you’re expecting a typical Kinsey Millhone read all the way through, you’ll be disappointed.

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