Title: Ghost Rider: Hell Bent and Heaven Bound
Authors/Creators: Jason Aaron, Roland Boschi, Dan Brown, Tan Eng Huat, Jose Villarrubia, et al.
Format: Trade Paperback Graphic Collection, Marvel Comics
There are two types of comic book type things I will review. Graphic novels, which are essentially one story self contained in a singular illustrated volume and Collections, which take issues of a series and collect them together into one trade paperback volume. Ghost Rider: Hell Bent and Heaven Bound is the latter, the actual fifth collection of the Ghost Rider series produced in the late 2000s by Marvel Comics.
To go into all the continuity that would have to be explained for someone not familiar with Ghost Rider would take volumes, so we’re going to do this quickly. The Ghost Rider in this collection is Johnny Blaze, a motorcycle stuntman who sold his soul to the Devil in order to save someone. The someone didn’t get saved, but Johnny was forced to work off his bargain anyway, becoming The Spirit of Vengeance, The Ghost Rider.
It was only later that Johnny learned the truth behind his curse. Instead of his being the Ghost Rider being the fault of the Devil, it was actually the doing of an angel, Zadkiel, who cut a deal with Johnny’s girlfriend at the time to circumvent the Devil’s deal. Hell Bent and Heaven Bound opens with Johnny, now having the knowledge of his true origins, literally looking for a way to get into Heaven and take Zadkiel on face-to-face.
After trying several ways to get to Heaven, Johnny learns that a man who recently died, but was revived and scared to death to die again and return to Heaven was in a small town in Idaho. Johnny visits this man, who knows who he is and relates that he wants to stay alive because going to Hell would be better than going to Heaven, as Zadkiel has lain siege to it. Johnny, thinking this man is his ticket to the Pearly Gates, takes him out of the hospital, which basically causes the nurses, who are in fact agents of Zadkiel, to tear out after him with machine guns and motorcycles. Throw in a highway haunted by cannibal ghosts that are still hungry, a town full of Zadkiel disciples, and a crooked deputy coming face to face with a live cannibal, and you have some sense of the road The Ghost Rider is traveling.
A second story, ‘God Don’t Live On Cell Block D’, has Johnny continuing his quest to break into Heaven, this time going to talk to a priest in prison for machine gunning his entire congregation, saying the angels made him do it. This story does little to progress the overall arc, but is a fun bit about the Ghost Rider having to fight his way out of a prison, which includes quite literally a die hard disciple of Zadkiel and a whole lot of prisoners worthy of vengeance.
Overall, Ghost Rider: Hell Bent and Heaven Bound is a fun little read and ride. The art isn’t consistent throughout either two issue story collected in the volume, so that’s a takeaway, although the art in the second story is superior to that in the first. Johnny’s quest to get into Heaven by any means necessary is a neat concept that is as single minded as fans of classic Ghost Rider tales will remember the Spirit of Vengeance being, so that was enjoyable. The first story seemed overly full, too much going on, too many hints trying to be dropped. This made the second collected arc actually seem weaker, like enough wasn’t happening.
Ghost Rider: Hell Bent and Heaven Bound gets three out of five pages. If You’re a die hard fan of ol’ Bonehead and his blazing bike, there’s enough in here for you to like, including the return of someone Johnny won’t be glad to see eventually. If you’re looking for something that will make You pick up more Ghost Rider, this might be it, but might not be. Overall average storytelling with up and down art.
This is a solid three out of six bullets by my scale. Not something I’d seek out again, but a read that I enjoyed the first time through. I found myself smirking at hints to Ghost Rider fans that were dropped only slightly more than I groaned at some of the poor art and sequential storytelling that plagued this book.