Writer Wednesday – Elizabeth Donald

Let’s start with the basics. Who are you?
Tell us (briefly) about you…
…and a bit about what you’ve written…
…and what you’re working on right now.
I’m Elizabeth Donald, and I write stuff. By day I write for a daily newspaper on a variety of topics ranging from education to politics to crime. By night I write about monsters and zombies and things that go chomp in the night. I started writing fiction for publication a few years into my journalism career, though my fiction habit really dates all the way back to childhood. My first novel was published in 2004, and I’ve since written maybe 13 novels and novellas, depending on how you count the ebooks.

Right this moment, I’m working on a short story for an anthology about tragic love in speculative fiction. I’ve recently finished a collection of short stories titled Moonlight Sonata that I hope will see print next year, and waiting in the wings is a space adventure titled Banshee’s Run. I also have a few projects waiting in the editing queue and preparing to take my photography work to the next level. Other than that, I’m not too busy.

What are your earliest book-related memories?
My mother replaced the Berenstain Bears with Nancy Drew when I was a young girl, and Nancy led me into what we would have called “young adult” fiction if that term had existed. I started falling into historical drama and mysteries as a ‘tween, but then Star Trek: The Next Generation premiered and I was a science fiction fan for life.

What are your three favorite books?
You’ve just broken me. My favorite novel is probably IT by Stephen King, whose entire bibliography ranks among my top re-reads in my ridiculous library. Peter David’s Imzadi is one of the best tie-in novels I’ve ever read, and for more recent work, I’m desperately in love with the Newsflesh series by Mira Grant, particularly the first novel, Feed.

How many books to do you read at any given time? What are you reading now?
I used to devour a book a night – up to three nights if it was a real epic, like The Stand or Gone With the Wind. Then I had a child, and I discovered the desperation of sleep deprivation. I usually read one fiction and one nonfiction book simultaneously, since they use different parts of my brain, but then I also read a copious number of blogs, articles and assorted nonsense for work. Currently I’m reading The Day She Died by Bill Garrison, and just finished Book of Shadows by Alexandra Sokoloff. In nonfiction, I have a stack of books on the influenza epidemic of 1918 – research for future misbehavior.

Finish this sentence; when I curl up with a book, I ___
…want to fall through the hole in the paper.

To re-read or not to re-read, that is the question.
I love re-reading. It’s territory I’ve scouted before, but if the writing is strong enough, you can fall through again and be transported to a place you really enjoyed visiting. I have this wild idea to reread Stephen King’s entire bibliography in the order he wrote them, and see what I can learn from the evolution Master of Horror. All I need is an extra three hours in the day.

How likely are you to read a book that’s been recommended to you?
Very likely, if it’s a premise that intrigues me. I have certain authors that are an auto-buy for me, of course: Jonathan Maberry, Mira Grant/Seanan McGuire, Gillian Flynn, Joe Hill, Julia Spencer-Fleming and of course the big names like Stephen King and Harlan Ellison – John Grisham if he’s in familiar territory, the courtroom. All of them have demonstrated the ability to send me through the hole in the paper, and that’s what I’m really after. If someone I trust recommends a book, I’ll give it a try, which is probably why my to-be-read pile is so high.

How likely are you to recommend a book (that isn’t yours)?
I recommend books all the time, and try to keep up with reviews. I used to write a review column for the newspaper, and when it was canceled, I launched it as an independent blog. Unfortunately, time constraints mean I don’t post all that often, but I know the importance of good reviews for a book, and try to do so.

What do you look for in a good book?
Story and dialogue are key; if I’m not interested in the events unfolding or the people are speaking in voices I can’t really hear, I’m bored. Bored means I’m falling asleep, and I don’t get enough sleep anyway. So keep me awake with smart people and crackling dialogue, then give them something interesting to do. I don’t want extensive descriptions of his smoldering eyes and her lovely gown, and for some people that’s the kind of thing they really want. To each his or her own, as in anything this subjective.

Why do you write?
I write because the voices in my head told me to. I write because it’s what I was made to do, how my mind was constructed. I write horror because the things I see in the real world are so much more awful and yet mundane that I’d rather see something fantastic and terrible. It’s cheaper than therapy. But I have been writing ever since I could pick up a pencil, and probably before, making up stories in my head to entertain myself when I’m bored and telling stories to my little sister at night to help her sleep. You might as well ask why I breathe.

If you couldn’t be a writer, what would you be?
I can’t imagine a circumstance where I wouldn’t write. If I lost my job and my publishing career, I’d write my novels and bury them in a trunk for someone to uncover someday. If I were stranded on a desert island, I’d make up the stories in my head and sing them to the canaries. If I suffered an injury or illness that robbed me of my mind and my ability to create, to form words… well, I think then I’d rather be dead, but that’s rather dramatic, don’t you think?

Where do you draw your inspiration from?
Schenectady. There’s an idea service there that sends you a six-pack of ideas every week. That smartass answer is to be attributed to Harlan Ellison, who uses that answer every time he’s asked where his ideas come from. As he says, “Aristotle can’t answer that question.” They come from the ether, from Neverland, from the place between awake and asleep. I believe that just about everyone gets inspiration – those random creative thought-balloons that float through their minds when they’re stuck in traffic. The trick isn’t getting ideas. The trick is grabbing hold of them when they come, winding the ribbons around your hand and letting them carry you off to Neverland. When you learn how to harness ideas and turn them into stories you can share with others, you’ve become a writer.

What has writing taught you about yourself?
That I will never stop learning, and that I cannot ever do just one thing at a time.

How do the people in your life seem to view your writing career?
My husband is also a writer; we met first through a mutual friend twelve years ago, and later re-met when he published his first book and began the tour circuit. It is a wonderful blessing to share my life with someone who understands the insanity. My son is wholly unimpressed, since he’s grown up hanging out at book signings and helping to carry boxes of books. I think the rest of my family is waiting for me to set aside these vampires and zombies and write something in the real world!

Are there any stereotypes about writers that you don’t think are true?
No. We’re all poverty-stricken, insecure drunkards. Well, at least it helps… In all seriousness, just about every stereotype has a writer or five who confirm the stereotype. Probably the only real misconception is the one perpetuated by Richard Castle: being a novelist means you’re a gazillionaire. Unless you’re James Patterson or John Grisham, you’ll be lucky to make a living. And when I say “make a living,” well… the last statistic I read said that fewer than 3 percent of authors make $10,000 a year or more on their books. So “poverty-stricken” is pretty much assured, as is the day job and/or the spouse who works for a living and has health insurance. As for insecurity and alcohol… let’s just say I’ve poured drinks for most of the small-press authors in the Midwest and the South.

What do you see as the biggest challenge today for writers starting out?
Their biggest challenge is internal: impatience. The ability to toss a book out onto the internet the instant you type THE END has given a lot of aspiring writers a fast-forward button, and the temptation to skip all that bothersome editing, submission and working with a publisher is very real. The problem is that most aspiring writers have a lot to learn, and they learn a great deal from that process, including rejection and wrestling with a recalcitrant editor over a comma. Skipping that process is the biggest mistake they can make, and so many of them do. Patience, grasshopper. Good writing eventually finds a home, and at the end of the marathon, it’s going to be a book you’ll be proud to call your own and a launch to a writing career.

Have you made any writing mistakes that seem obvious in retrospect but weren’t at the time?
If I’d known how wildly popular my zombie novella The Cold Ones would be, I wouldn’t have killed off so many characters! I’m famous for offing people in my books – c’mon, I’m a horror writer – but I did get especially bloodthirsty in The Cold Ones, because it was supposed to be a standalone novella. Then it sold out its initial print run in 48 hours, and by the end of the weekend I had a deal for two sequels. But even that I can’t really count as a mistake, because I count Blackfire (the sequel) as one of the finest books I’ve ever written, and I’m really looking forward to completing that trilogy.

Is there a particular project you would love to be involved with?
I’m already up to my eyeballs in work as it is! I’m wrapping a space adventure that’s probably the pulpiest thing I’ve ever done, and just completed another short-story collection that follows up to my first print release, Setting Suns. After that I need to finish the Blackfire series, and then there’s the continuation of the Nocturne series, and there are three other standalone novels standing in line. I don’t need new projects, I need more hours in the day.

How do you deal with your fan base?
Fans are wonderful! I am always grateful and humbled when someone tells me that my work reached them. Stephen King says in On Writing that writing is the closest we’ll ever come to telepathy: I have an image or a character in my head, and I have only this clumsy mechanism of words to share it with you. The better I am at replicating that image in your head, the better writer I have become. So when someone tells me that my work made them cry or throw the book across the room, I’m delighted.

Finish this sentence; my fans would be surprised to know ___ about me.
I’m shy. Yes, really. I was a very shy kid, and I still have that wallflower tendency. I speak in public often and spend a great deal of time in large crowds, cocktail parties, panel discussions, and it takes a tremendous energy to overcome a natural introversion that tells me to go hide in my hotel room. But this is key: it can be overcome. It takes energy and knowing your limits. But if the girl who didn’t speak outside the house for days at a stretch can moderate a panel at Dragoncon… you can do it too. I swear.

Anything else we should know?
I run the author cooperative Literary Underworld, and several of us will be guests at Archon in St. Louis on Oct. 2-4. Guest of honor is Harlan Ellison, whom I have met once before. I hope to repeat my streak of not drooling on his shoes. If you have the means, do stop by the Literary Underworld booth and say hello!

Elizabeth Donald is a dark fiction writer fond of things that go chomp in the night. She is a three-time winner of the Darrell Award for speculative fiction and author of the Nocturne vampire mystery series and Blackfire zombie series, as well as other novels and short stories in the horror, science fiction and fantasy genres. She is the founder of the Literary Underworld author cooperative; an award-winning newspaper reporter and lecturer on journalism ethics; a nature and art photographer; freelance editor and writing coach. She lives with her husband and her son in a haunted house in Illinois. In her spare time, she has no spare time. Her latest release is Nocturne Infernum, a trilogy of vampire mysteries set in a dark alternate Memphis.

Website: http://www.elizabethdonald.com
Blog: literaryunderworld.blogspot.com
Twitter: @edonald

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Writer Wednesday – Jean Stringam

Let’s start with the basics. Who are you?
Tell us (briefly) about you…

Jean Stringam counts her characters among her list of friends and solves plots during breakfast, lunch, and dinner; however, recently she has been impressed with how numbers describe life – and we’re not talking just the bank balance.

The number five currently figures strongly in her life since she has recently published five books, has earned her living in five different careers, has lived in five countries, and has five sisters, five children, and five university degrees.

Perhaps a few lists would be helpful:

    Five different careers – Professor of literature, piano teacher, actor (member of SAG), secretary, choir conductor/opera chorus pianist/church organist
    Five countries – Canada, France, China, England, United States (but she’s only been a citizen of two)
    Five sisters – learned more than she thought possible
    Five children – learned more than she ever wanted to know (about love)
    Five degrees – Ph.D. University of Alberta, B.Ed. University of Calgary, M.A. & B.A. Brigham Young University, ARCT Royal Conservatory of Music of Toronto.

…and a bit about what you’ve written…
Now that I’m retired, I no longer write academic essays and articles. My fiction for young adult and middle grade readers include the following:
Solstice Magic (A Calgary Stampede Adventure, #1)
The Hoarders (paperback & Nook e-Book)
Balance (paperback & Kindle e-Book)
How Not to Cry in Public: A Novel (paperback & Kindle e-Book)
The Wise Men: A Christmas Adventure (Kindle e-Book only)
Regrets Tree on Fire (for release in summer 2013; projected as paperback & Kindle e-Book)

…and what you’re working on right now.
I’m looking for a good illustrator for a Early Reader series, for grades 3 and 4. Have five of the stories written and another ten sketched.

What are your earliest book-related memories?
I have written about this on my website under “About Jean Stringam.” It’s called “The Chicken Story”

What are your three favorite books?
It changes very rapidly depending on what I’m reading. Over time, however, I’ve tended to enjoy O.S. Card.

How many books to do you read at any given time? What are you reading now?
I’m reading Wool. I like to immerse myself in an author’s world, so I rarely read more than one at a time. I write several of my own books at the same time, though.

Finish this sentence; when I curl up with a book, I ___
Defy the world to continue turning.

To re-read or not to re-read that is the question.
Always re-read what catches my interest

How likely are you to read a book that’s been recommended to you?
Certain friends have impeccable taste and I take their suggestions. I listen carefully when anybody gives an opinion about a book because their reasoning patterns, or lack of them, interest me. Doesn’t mean I rush right out and buy the book they’ve told me about.

How likely are you to recommend a book (that isn’t yours)?
Very. That’s what I’ve spent my professional life doing.

What do you look for in a good book?
An author who is wise, has poetry in his/her heart, and knows that a story has to have a resolution. If the author can’t figure out what the characters learned or how they changed, I wish them well, but please stop writing and find another profession.

Why do you write?
I want my life to have made a difference.

If you couldn’t be a writer, what would you be?
I’ve worn a lot of hats thus far in my life. None of them appeal to me long-term. I will write until I’m dead.

Where do you draw your inspiration from?
I read copiously, watch people intently, and love unreservedly.

What has writing taught you about yourself?
That an individual only sees a small slice of the truth.

How do the people in your life seem to view your writing career?
They’re just about over trying to decide who’s who in the characters, which is a relief. They’re beginning to accept that my characters are not stolen from real life (except for the ones that actually are)!

Are there any stereotypes about writers that you don’t think are true?
Tons of stereotypes. The biggest lie is that alcohol and drugs enhance creativity. They don’t. It’s a miracle that any talent leaks out of those people at all.

What do you see as the biggest challenge today for writers starting out?
The money. Always the money. Whether trad published or Indie, it’s the money.

Have you made any writing mistakes that seem obvious in retrospect but weren’t at the time?
Wrote a whole novel without knowing how to resolve the conflict. Wrote it a second time and still couldn’t figure out the ending. That’s 900 pages of wasted effort! Grr!! Hisss!

Is there a particular project you would love to be involved with?
Yes, but until things happen, I’m not sure it’s a good idea to advertise hopes and maybes.

How do you deal with your fan base?
Sometimes I do author visits in schools. Sometimes fans write to me on my website, FaceBook, or GoodReads.

Finish this sentence; my fans would be surprised to know ___ about me.
That there really is a learnable technique for not crying in public, that I can do it (usually), and that I am still in the habit of carrying sunglasses with me everywhere just in case I can’t.

Anything else we should know?
I write songs for my books, and for a lot of other occasions, too.

Writer Wednesday – Jason S. Walters

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Let’s start with the basics. Who are you?
I’m Jason S. Walters.

Tell us (briefly) about you…
I’m an author, essayist, and publisher best known for running Indie Press Revolution (IPR), a distributor of micro-published roleplaying games. I live way out in the Nevada outback with a daughter with Down syndrome and animals too numerous to mention.

…and a bit about what you’ve written…
I’m an author of numerous roleplaying game books including Lucha Libre Hero, Scourges of the Galaxy, and You Gotta Have Character. I’ve also written a couple of novels, a short story collection, and a smattering of published essays, short stories, magazine articles, and the like.

…and what you’re working on right now.
I’m going through and editing the second edition of my short story collection An Unforgiving Land, Reloaded line-by-line. This will also be the final edition and version of what has proven to be my most popular book. I’m no Walt Whitman, and have no desire to spend the rest of my life doing new versions of the same book. So I’m trying to get it *just so* this time.

What are your earliest book-related memories?
Due to my parents diligent efforts I learned to read at an extremely early age. By the age of six I was able to read Kenneth Grahame’s The Wind in the Willows on my own, and at the tender age of seven I had become seriously hooked on science fiction – and, in short order, this grew to include its sister genres of fantasy and horror. My parents started me out with Tom Swift books, and I moved rather rapidly on my own to authors like Issac Asimov, Heinlein, HP Lovecraft, CS Lewis, and Jack Vance. At the age of twelve I was particularly enamored by Vance’s Demon Prince books. They were dated even when I was reading them in the 1980’s and Vance knew it, but the whole “manly revenge on galactic supervillains” thing was about as much awesome as a preteen boy can handle without actually hurting himself.

What are your three favorite books?
China Mieville’s The City & the City is a particularly fine book and a great example of fantasy realism – possibly the genre’s best example, actually. I’m also quite partial to Heinlein’s classic libertarian science fiction novel The Moon is a Harsh Mistress. Both are books with a lot to say about society and human nature. But when it comes to a novel that is positively exploding with ideas (and not all of them good ones), I have to admit a great and somewhat embarrassing fondness for Rand’s Atlas Shrugged. It’s stylistically weak, dreadfully long, and incredibly pedantic – but you have to give the strange old gal credit. She managed to pack and entire philosophy, worldview, and way of life into what amounts to a post-apocalyptic science fiction novel complete with death rays, invisibility fields, and submarine pirates – and do it in such a way that nobody really thinks of the novel as being science fiction at all.

Plus, say what you will, the cult created by her book doesn’t involve Body Thetans, Xenu, or endless lawsuits.

How many books to do you read at any given time? What are you reading now?
I generally read two or three books at once. Right now I’m reading Hunter S. Thompson’s The Rum Diary (it’s much better than the movie), Albert Jay Knock’s autobiographical Memoirs of a Superfluous Man (one of the snarkiest books ever written before the word snarky was invented), and Thor Heyerdahl’s Fatu-Hiva – Back to Nature. Party because I love crazy old Thor and enjoy reading anything by him, but also because I found a free copy at the Gerlach post office.

Finish this sentence; when I curl up with a book, I ___
…want it to not make my fall asleep right away. It doesn’t sound like much, but often it seems that it’s too much to ask. And I have a three-year-old with Down syndrome, a 40-hour-a-week job, a hobby business, and various construction projects. So I fall asleep *really* easily!

To re-read or not to re-read that is the question.
I like to crawl back to my favorite dozen or so books once every few years – if for no other reason than to remind myself of why they are my favorites.

How likely are you to read a book that’s been recommended to you?
It depends very much on the person recommending it. There are people whose taste I trust and admire… and people whose taste I trust and admire far less.

How likely are you to recommend a book (that isn’t yours)?
Very. I recommend them all the time. Hopefully I’m one of the former types of people, rather than the later. (See above.)

What do you look for in a good book?
I look for it to be clever, interesting, and informative. It’s fun to learn, and there’s really no reason that practically any book can teach, regardless of its subject matter.

Why do you write?
Because I don’t seem to have any choice. For me writing is more like an obsessive-compulsive disorder than anything else. It’s just something I have to do sometimes

If you couldn’t be a writer, what would you be?
A bookseller; which, in fact, I am.

Where do you draw your inspiration from?
Any number of sources. And, of course, they’ve changed over time. I find the Black Rock Desert where I live to be a powerful muse. I also find my own daughter’s struggles to express herself despite her handicap to be very inspiring and thought provoking.

What has writing taught you about yourself?
That craft is very important to me, and worth being patient to achieve. Anybody can crap out a few thousand words onto a piece of paper. The hard part is going back over those same thousand words in an attempt to “de-crap” them.

How do the people in your life seem to view your writing career?
I’m not sure I have a writing career at this point. I came pretty close to having one three or so years ago, but now I’m just a guy who tries to fit writing the odd story, game, or novella into his busy schedule – and then attempts to get them published somehow. And many of the people in my day-to-day life are only vaguely aware that I’m a writer; which is fine. Life is short, and most of my friends have their own interests and problems in any case.

Are there any stereotypes about writers that you don’t think are true?
I would say that for most of us flashes of great inspiration are few and far between. Unlike the portrayal of writers you see in film and television, there are only occasional eureka moments. The rest of the time you just hack it out as best as you are able, and hope that by doing so you eventually get better at it.

What do you see as the biggest challenge today for writers starting out?
Getting anyone to notice them. There’s just so much stuff out there now – much of it very bad, some of it quite good, and a lot of it free electronically – that it’s hard to get anyone to read you at all.

Have you made any writing mistakes that seem obvious in retrospect but weren’t at the time?
Yes. When I sold the business I spent 15 years building up I should have dedicated myself *exclusively* to writing, rather than setting out to create another business while also trying to write. If I’d done that I might actually have a career as a writer today, rather than being a guy who constantly tries to find time to write.

Is there a particular project you would love to be involved with?
It would be great to do a roleplaying game adaptation of China Mieville’s novel Railsea. Right now as a publisher I’m wrapping up development of a book based on Larry Correia’s Monster Hunter International universe – and I’ve got a few other projects cooking for after that – but it would be nice to do at some point. It’s a great setting; like Moby Dick, but with trains instead of ships and giant moles instead of whales.

How do you deal with your fan base?
Politely: after all, there are more California condors than Jason Walters’ fans!

Finish this sentence; my fans would be surprised to know ___ about me.
That I was once a member of the Ecclesia Gnostica Mysteriorum: an alternative Christian religious movement based on the ancient heretical teachings of the Gnostics. So I was once all New Age and stuff!

Book Review – The Decembrists by Kimberly Richardson

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Arranged in a chapter-a-month first person format that goes between the two main characters, The Decembrists tells the story of Sophie Joyce, a “young writer” (although she’s 37 and just now finishing her first novel), and Hilliard Ravensdale, a many times published author, who meet in a coffee shop following Sophie’s grandfather’s funeral and fall in love.

I’m going to stop you right there.  Because Sophie claimed she loved her grandfather and she was sorry that he was dead and all, but after the funeral, she went home, cried in her apartment for an hour – because it was cold?! – and then went to a coffee shop to sit in the land of the living.  Then she comments about shallow it must be of her to have to stay in the land of the living, even though she’s off for two days for bereavement.  And this is like, page four of the book.

I already hate Sophie.

I don’t care that she wants to be in the land of the living, but she’s so unaffected by her grandfather dying that she cries because she’s cold and then meets Hilliard in the coffee shop and goes on a date with him.  Let me tell you what I did when my grandmother died – I cried.  For three years.  I’m still crying.  Yeah, you put one foot in front of the other and life has to happen, but you don’t meet somebody and go on a date the next night.  You just don’t.

And Hilliard, well, he’s pompous and arrogant, and not unlike my last boyfriend.  And since these are all the qualities I hated in him, I’m not too pleased with Hilly, either.  (And what the hell kind of a name is Hilliard, anyway?!)  Oh, and in the beginning of the book, he establishes that Sophie’s black because, well, “I’ve never asked out a black woman before,” and “I never saw a black woman blush before,” and… gah!  Has he not seen black people?  And why was Sophie’s race so damn important when we don’t get any description of him at the same time?

So the story is a love story between the two of them [wtf], and it progresses a month/chapter at a time with the POV switching between the two of them.  Except that there’s not really any difference in the voice of Sophie or Hilliard, so if the chapter heading didn’t say a month and a name, you’d have to wait for them to say something like “Sophie’s birthday is coming up…” because there’s no other way you can tell.  Have I mentioned that reasons like this are why I’ve shied away from first person in the last few years?

I found some other issues with the book too.  In the exposition parts, the chapters are long and poorly organized.  Many of them could have – and should have – been broken up into a couple chapters.  They jump from one thing to another like crazy and just don’t flow well a lot of the time.  Also, Kim clearly is not a fan of dialogue tags – which is fine, I’m not either – but when you’re butting up what Hilliard said against what Sophie thought of the comment, you’re too busy keeping track of who’s talking to lose yourself in the story, which is what all of us want to do when we read something.

And there are some things that happen that just drive me nuts.  I know this is nit-pickey, but I don’t want to know who buys somebody’s tampons.  Ever.  (Unless I’m reading a coming of age book, I don’t want to read about periods, well, period.)  And not so nit-picky, Hil calls Sophie “Goddess” through most of the book.  I really dislike saccharine-sweet over-the-top pet names for couples in relationships.  And they’re writers.  I’m tired of reading books about writers when nothing extraordinary happens because of it (Stranger than Fiction is a great book about writers – something happens because she’s writing, as opposed to writing being all that happens.)

Anyway, as the book progresses, we eventually find ourselves reading things that they’re reading (ahem), and whatever they’re reading *should* be slightly indented as a block quote, but Kim et al have decided to change the font instead.  And it’s big and it’s ugly and it’s annoying to read for more than a sentence at a time.  (I would not ever, ever, ever read Hilliard’s stuff, btw.  Or his sister’s poetry.  Or…)

At chapter 12, the author messes with the book’s format a bit, and gives us a specific date instead of a month, and writes in third person.  We learn Hilliard’s secret… in a manner that I wish I hadn’t learned it in… and [removed because of spoilers].  Then there’s an epilogue in Sophie’s point of view, although it doesn’t say that, the worst name I’ve ever read in a book of fiction, and a nicely wrapped up twenty years following the story.  Just picture the bow in your mind, since Kimberly made sure that we had one.

Honestly, this book isn’t even a little bit my cup of tea.  According to the back of the book, “Award winning author Kimberly Richardson turns her literary eye to the world of sex, control, uprisings, secrets, and lies, all wrapped within a story worthy to be called modern Gothic.”  Yeah, all that stuff’s there, but it’s a friggin’ romance.  One more in the string of “hurtful man with woman who can’t seem to land anyone better.”  And I’m tired of this crap.

I’m giving the book a three out of five pages rating.  If you like that sort of crap romance, give it a read.  There’s a full story line here, although it needs a bit of polishing, and I’m sure there’s a niche for it that’s just not me.

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I don’t know why this is required, but here it is:

Disclosure of Material Connection: I received this book from Kimberly Richardson (independently of this)  and used in in conjunction with  First Rule Publicity and the author as part of a virtual book tour. I was not compensated nor was I required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255: “Guides Concerning the Use of Endorsements and Testimonials in Advertising.”

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