Title: The Witness
Author: Nora Roberts
Format: Hardback
Year Published: 2012
A strong start is crucial to a good book. This one has it. I read the preview chapters in the back of another book I was reading and promptly added it to my library list. Unfortunately, after the sample preview chapters, I found it hard to get going in the book. Eventually I skipped ahead to the ‘now’ time of the story and started powering through it (and did go back and read the part I skipped), so I would say to read that section straight through in one sitting.
The Witness is the story of a girl who, in her first (and, really, last) act of teenage rebellion, witnesses a brutal murder and is forced to go into witness protection – only for her protectors to be killed in turn. She goes on the run, and twelve years later finds herself hiding away in a small town. A meeting with the Police Chief leads to a romance, and now she must decide if she will continue to hide, always prepared to run, or if she will face her past once and for all.
While Roberts’ writing was solid, as always, there was something about this book that was rather meh for me. Part of my issue, I think, was that the main character (Elizabeth/Abigail) always acts like she’s in danger, however we don’t get any true sense that she is once she goes into hiding (so for most of the book). There were several places where I thought that heat would be brought down on her – especially when the private detective starts to investigate her – but in general the only reason we know she’s in danger is because she acts like she is.
Although the story ostentatiously focuses on Abigail, we get far more of a focus on Brooks’ problems and issues. While interesting, they are less interesting than the story that drives Abigail, and therefore the story suffers. We also get a lot of ‘facetime’ with the residents of the town, but I feel like not enough is spent on Brooks’ family (whom I adored) and instead we get too much from Brooks’ antagonists.
Abigail, as a character, was almost too perfect for me. Once she goes into hiding, and especially the way we see her in the main part of the book, she really makes no big mistakes. She’s smart, so she can do all these amazing things with just time and effort, and while she doesn’t understand the social niceties in a normal way, she has learned enough academically that she doesn’t even misstep there either. Roberts has done other socially awkward heroines who have worked far better for me than Abigail did. Brooks is the typical, smooth, wonderful hero. Bland is probably the best way to describe him. His family was the best part of his side of the story.
One of the things that Roberts does do well is to give each character a very distinctive voice. Abigail speaks in very literal, high-definition terms while Brooks has a far more laid-back and country pattern to his speech.
I wouldn’t classify this as one of Roberts’ best books, but it held my attention once the main part started, and I might want to reread it as some point in the future. A solid 3/5 stars.